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Butt Plug

A butt plug is a sex toy designed to be inserted in the anus and rectum for sexual pleasure. In some ways, they are similar to a dildo, but they tend to be shorter, and must have a flanged end to prevent the device from being lost inside the rectum. Unlike the vagina, which is closed off by the cervix, the rectum leads to the sigmoid colon. Objects that are inserted into the rectum can therefore potentially travel up into the bowel: the flared end on a butt plug exists to prevent this. Many dildos lack a flared end, and thus it is ill-advised to use such dildos anally, since they may get stuck, requiring medical extraction. In addition, the lower bowel above the rectum is easily perforated. For this reason, butt plugs tend to be shorter than dildos, and their marked size generally indicates the circumference of the device rather than the length. They must also be very smooth to avoid damaging the rectum or bowel. In order to get them into the rectum, they most commonly have a general profile of a round-ended cone which then narrows to a waist which locates itself at the anal sphincter, with the flared part outside the body, preventing the butt plug from slipping further into the body. The sphincter muscle will hold the plug in place by the waist, preventing the plug from slipping out unintentionally. As with other activities involving anal penetration, such as anal sex, large amounts of sexual lubricant and a slow gentle approach are often needed to insert or remove a butt plug. Butt plugs are often used covered by condoms for hygiene, and to allow for the easy disposal of any feces with which they may come into contact. Nevertheless, they should not be shared with other people, due to the risk of blood-borne diseases, including HIV that can arise from the transfer of body fluids from one person to another. A butt plug is not necessarily confined to only anal stimulation; butt plugs may be used in any orifice. Butt plugs come in a variety of colors, shapes, sizes, and textures. Some are designed to look like penises, while some are ribbed or wavy. The majority, however, are shaped as shown in the pictures below having a thin tip which is wider in the middle, a notch to hold it in place once it is inserted, and a flared base to prevent complete insertion into the rectum. Some plugs are designed long, flexible and curved to penetrate the sigmoid colon. Butt plugs are made of a variety of materials, the most common being latex. Other materials used include silicone, neoprene, wood, metal, glass, stone, and many other materials. Silicone is a particularly good material, as it can be disinfected in boiling water. There are butt plugs that ejaculate by squirting water or other viscous fluids into the rectum. There are also vibrating butt plugs, and butt plugs that can inflate and expand. Some butt plugs are specifically designed for men and stimulate the prostate. Other butt plugs are manufactured with long hair or simulated animal tails attached to the base for use in human pony play or other animal fantasy role play. Butt plugs are also now available that incorporate electro-stimulation. Butt plugs can be moved in or out for pleasure; for this type of activity ribbed butt plugs can increase pleasure. They can also be worn continuously or be lockable for long periods of time. Anal jewelry is a type of butt plug where the bulbous end is inserted into the anus and the end that remains outside of the body is decorated. Most anal jewelry pieces are made of stainless steel and typically have some kind of gem or ornate sculpture on the area that is to be worn outside of the body. These stainless steel pieces are also designed to be worn for an extended amount of time; although they provide a feeling of fullness in the anus, they are more for show than for pleasure.

Top

In BDSM, a top or dominant is the partner in a BDSM relationship or in a BDSM scene who takes the active or controlling role over that of the bottom or submissive partners. A person who submits control of a large percentage of his or her day-to-day life to a dominant partner, or who submits within a formal set of rules and rituals, is the slave, and the person who assumes power over the slave is the master or mistress. Agreement on the exact meanings of the following terms is far from universal. For example, the function of tops and dominants is similar, and, in many cases, overlaps, but while the terms are used interchangeably in some discussions, there are differences between the two. The top is the actor within the BDSM context who applies to the bottom partners the techniques of a sexual, sensual, and psychological activity: flogging, bondage, servitude, or humiliation. The dominant controls the BDSM scene or relationship, exercising authority over the submissive partners. A dominant, who exercises control over a large percentage of a submissives day-to-day life, or within a formal framework of rules and rituals, is a master or mistress. The functions of top and dominant often intersect, where the top is the dominant, but this is not always the case. Someone who is topping may be doing so at the request, or even the direction, of a bottom partner; in this case, the bottom is the dominant partner. A top who acts within this kind of relationship dynamic is sometimes called a service top. A bottom that has dominance over the activities or the relationship is said to be topping from the bottom, even though he or she is really exercising dominance from the bottom. Another possibility is that the top and bottom are acting at the direction of a third, directing person. Within communities of lifestyle BDSM devotees, there exists a widespread prejudice against both those who act as service tops and those who top from the bottom. Both are considered by many to be failing to achieve a proper BDSM relationship dynamic, especially, if the partners are purported to be trying to achieve a dominant-top/submissive-bottom relationship. While it is possible that a dominant would not act as a top and thus have no expression of his or her control through kink- or fetish-based activities, it may be argued that such a relationship, lacking any erotic aspect to the exercise of control, would fall outside of the BDSM context. Tops or dominants who also assume a bottom or submissive role are referred to as switches. Master or Mistress is one of the honorifics some people use to describe the dominant partner or owner in a Master/slave relationship. Because it is an honorific of the dominant form it is usual for it to be written with a capital letter. It might also be used by the submissive partner as an honorific term in a D/s relationship. This can cause confusion when trying to understand BDSM terminology as both Master or Mistress and slave might be used - as terms of endearment - even though neither considers himself to be owned nor owner. Some people enjoy the connotations of servitude or submission in calling their partner Master, or being called Master. To others the ritual of such a formal mode of address may be appealing. It may also be useful in building roles in which one partner or the other may indulge in sadistic or masochistic desires, although people living as Master and slave are not necessarily sadomasochistic. Usage of Master or Mistress in most BDSM environments does not imply any specific expertise, abilities, or formal training. To successfully maintain a Master or Mistress/slave relationship takes abilities and skills beyond or apart from normal relationship skills. The term Master can be gender-independent but is mostly used only in reference to males. There is otherwise no male-specific equivalent. The female equivalent is Mistress or possibly dominatrix. Although the Master is understood to have authority over the slave in some sense, this never extends to ones legal rights and thus there must always be an implicit element of consent involved.

Gorean

The Gorean philosophy is a philosophy espoused in the science fiction novels by John Norman. A number of fans of Normans work have attempted to live their lives according to this philosophy While the most conspicuous Gorean departure from mainstream modern norms is that Goreans promote sexual master-slave relationships, many who espouse the Gorean worldview insist that being Gorean is not necessarily about either sex or slavery, but about the general Gorean philosophy and so one would not have to participate in a master-slave lifestyle or relationship in order to be Gorean. Some of this philosophy is concerned with order of nature and the relations between men and women, which may or may not take the form of a master-and-slave dynamic. The majority of Goreans who pursue a lifestyle approach often do not consider what they do to be BDSM or kinky as such and reject the idea of isolated scenes in favor of an integrated comprehensive way of life, but do engage in certain practices also pursued by BDSM followers see 24/7, Dominance & submission, Servitude BDSM, Slave BDSM, Total Power Exchange, etc.. A few Goreans do practice BDSM even though BDSM is not Gorean in itself. These Goreans may or may not use a safe word when involved in BDSM scene play; however, if they do not, then some sort of communication is usually practiced. Another area that Goreans practice is the demonstrative fashion their slaves serve and perform slave positions. Many of the slaves take great pride in pleasing their Master in this manner. Most of the scenarios are maledom / femsub, but a few portray men as the slaves of women, and anticipate the eroticized first-person male slave narratives of some of the Gorean novels. Model dressed up as a Gorean slave kajira with a kef brand The Gorean identity is founded on home, job, and social order. The Three Pillars of Gorean society is described as Home Stone, Caste System, and Order of Nature. Many who study and follow the Gorean morality do not own slaves. Slavery is not required to be Gorean. A Home Stone is a rock, which can be plain and simple or even a large precious stone, such as a topaz. It is about the size of a person’s fist. It is carved with a letter in it, often the family sign. A Home Stone represents sovereignty, and marks territory. Even peasants were considered a sovereign in their hut; such is the strength of the ideal of Home Stone. Villages, towns and cities also had Home Stones. Most Goreans would never stand in the way of a Man who carried a Home Stone, out of respect for the ideal of Home Stone, and the fierceness by which it would be defended. Home Stones were displayed in the center of a hut, village or city. The Home Stone is held sacred by every city and settlement, and is displayed under guard. Any praise or insult to a Home Stone is taken personally by those who live in the city it symbolizes. The theft of a Home Stone is the gravest crime, and paradoxically the most honorable enterprise that any Warrior could undertake. The home is of prime importance to the Gorean, and this applies as much to the city-state of origin, as to the current residence or camp. A man’s home is his castle is translated in Gor as, Every man is an Ubar within the circle of his sword The Ubar is a war-leader, a General who takes power at a time of crisis, and whose rule is tantamount to tyrant until the crisis is resolved.. Living Goreans, those who follow Gorean Morality here on Earth, hold the ideal of Home Stone very high. Home Stone as embodied on Earth, is considered to be sovereignty over oneself, as well as good citizenship: the two must be well-balanced, so that neither the individual nor the community suffers. The Goreans occupation is formed and informed by their caste. The Caste system establishes the Gorean identity as strongly as homeland. Because of the Goreans work ethic and pride in caste, all castes are essentially equal. There is little social mobility because of this caste pride and identity; even the Peasant caste upholds their caste codes and firmly believes in their superiority to all other castes. But in actuality, a few castes are more equal than the others. Those of High Caste, including Scribes, Warriors, Physicians, Builders and Initiates holy men have access to privileged education and opportunities to leadership. The social order is further consolidated by social edict: A man who refuses to practice his livelihood or strives to alter status without consent of the Council of High Castes is by definition an outlaw. A Gorean regards the welfare of their caste higher than their own, but in return, the caste provides welfare and charity when a caste member is in need. The way in which many Living Gorean reflect the Gorean Morality, in their professions, is to establish a code for their profession that they follow. This, combined with striving for excellence in their profession, is a small reflection of the Caste system presented in the series. Part of what Norman indicates as natural order, is that males have a predisposition to be more dominant, and females have a predisposition to be submissive. Norman indicates that with changes in society brought on by industrialization and feminism, human instincts have become confused and suppressed. Distinctive Gorean symbols include various artistic renditions of the kef symbol Kef being the initial letter of kajira in the Gorean language, the floral dina mark, and to a lesser extent other brands mentioned in Normans Gor books. In the original novels, Goreans are simply those humans who live on the planet Gor. The back-story of the setting holds that various humans were transported from Earth to Gor in ancient times, a process which continues at a low volume in the present mostly in the form of Earth women taken to Gor as slaves. In the books, although most slaves on Gor are female, most females are actually free women. The ratio has been presented as approximately 40 free women to one slave girl though the various hints about Gorean demographics given in different Gor novels are not entirely consistent and are difficult to reconcile with references in the novels to the cheapness and abundance of female slaves. Male slaves are less common than female, and are usually criminals, debtors or prisoners of war. Female slaves are called kajirae singular: kajira and male slaves are called kajiri singular: kajirus in the Gorean tongue.

Tit Torture

Tit torture refers to any of several erotic BDSM activities focusing solely on inflicting pain on the breast, nipples, and areola for sexual gratification. It is often used in conjunction with breast bondage, which focuses on the restraint of the area. While it is well documented that non-consensual sexual torture has been common in both modern society and in the past, the term tit torture in this context applies to consensual sexual activity. In an erotic context, both the giver of breast punishment and the receiver receive some kind of pleasure from the experience. In many cases, people experience increased physical pleasure as a result of the release of endorphins. Their pleasure may be psychological, derived from being completely controlled by another person and/or from the pleasure the other person gets from the experience. The person delivering the punishment may enjoy the power they have over their partner, or they may simply enjoy more basic sensual satisfactions. Both may enjoy sexual role-playing their actions, such as acting out a dominant lover's latent nipple-fixated vampire dreams or a submissive partner's breast torture rape fantasy. Regardless, in most cases the pleasure is derived from some combination of these physical, emotional and psychological factors. Skin covering the breasts has the same healing ability as other skin and can take much of the activity involved in breast torture without long-term effects. The nipples and areola were designed for suckling and can also take a certain amount of harm. Because they have a more refined blood supply and nerve complex, as well as lactiferous ducts, they can be more sensitive and need more caution, however. The inside of the breast is composed of fatty, glandular and connective tissues and is at greater risk of rupturing or other damage if mishandled. Erotic tit torture involves a combination of sexual activities that are considered paraphilias by many psychologists and sexologists. Paraphilia has many definitions, most of them with negative connotations that imply perversion or deviancy. The paraphilias noted in many texts that most commonly apply to tit torture include: Algolagnia - sexual pleasure from pain Breast fetishism - sexual interest in the female breasts, their shape, movement, and size Sexual sadism and masochism - sexual arousal from giving pain or from wanting to be humiliated, beaten, bound, or otherwise made to suffer Vincilagnia - sexual arousal by bondage There are other paraphilias that, depending upon a person's fantasies, might also be added to the list. Because of recent understanding that consensual BDSM provides pleasure to each participant, there are a growing number of clinicians that believe that, unless a sexual activity is blatantly illegal such as pedophilia or zoo sadism, or involves a violation of consent, it is not a paraphilia. Under those circumstances, erotic tit torture would not be considered clinically paraphilia behavior. The controversy continues, however, because other paraphilias are still seen by society as being so deviant, regardless of consent, that they are not acceptable. As a result, all paraphilias, including those involved in erotic tit torture, remain questionable by sexologists and clinicians. As long as parts of society view consensual BDSM as being deviant, while others see it as normal behavior—or at worst a harmless eccentricity—the controversy will continue. Breast binding – compressing the breasts against the chest wall with tape, bandages, ropes, and so on. Hypoxemia can cause nerve and tissue damage if rubber bands, ropes or other bindings are left in place too long, even with the simplest breast or nipple binding. Any time a breast or nipple begins to darken or become cool to the touch blood circulation has been restricted and the risk of damage increases. Binding the nipples and areola, particularly with rubber bands or other deep-biting constrictions, will tend to deaden the area the longer the binding is left in place. If binding is combined with other BDSM activity, it is important that you consider this when gauging the potential for damage. Breasts bound using cable ties. Breast bondage – wrapping rope, leather strips, or some other type of constricting material around the base of the breast, either in a manner that also includes wrapping the binding around the chest and back, or just solely around the breast. Breast bondage may range from light -– predominantly decorative, to more moderate—where the breast bulges to one extent or the other, to more severe—where the skin actually begins to darken, to extreme and arguably dangerous forms of binding such as breast suspension –- the lifting of a woman by her bound breasts. Flagellation – Slapping, whipping, caning, paddling, and other forms of striking the breasts. Light flagellation can involve the hands, paddles, crops, or low-impact whips, and usually results in nothing more severe than stinging and redness. More extreme forms of flagellation involve canes, whips, cords, etc. and can result in bruises, scrapes, cuts, or other lacerations. Breasts should be struck with extreme care. breasts are very sensitive and vulnerable and hard strikes and squeezes can be debilitating. Blunt trauma is one of the primary causes of internal breast injury. Breast-oriented blows should not go deep, and any bouncing should fall within the normal range of motion for the recipient's breasts were she engaged in a normal strenuous activity. Even skin-deep spanking can cause broken capillaries and/or a loss of sensation in the nipples and areola if carried to an extreme. Hard whipping, flogging, or any other activity that breaks the skin could also cause scarring that may not disappear with time. If the choice is made to strike a bound breast, blows should be superficial. Binding a breast interferes with its natural ability to shift on impact and compacts the tissues so that any hard blow can intensify any damage that may occur. Nipple clamping – the use of nipple clamps, clothespins, hardware clamps, household clamps, hair pins, and so on, or clamps designed specifically for use on the nipples or on other parts of the breast. Clamping can range from relatively mild to extreme forms that result in hypoxemia the deprivation of oxygen if left too long on a nipple. Clamping anything onto a nipple can be more painful than anticipated. Often, the pain spikes when the clamp is removed and full circulation is restored. Always consider applying clamps so that they are either completely behind the nipple where it connects with the areola, or at least partially so. Nipple sensitivity varies throughout any given month, and what may be acceptable one day may not work the next. Electricity – the use of electricity, typically on the nipples. There are some devices, such as TENS or transcutaneous electrical nerve stimulation and the violet wand, that have been specifically designed for use on human flesh and are relatively safe if used by educated persons. Other types of electricity, such as household current, batteries, or devices such as stun guns and Electroshock weapons, carry greater risks of burning or far more dangerous effects. Using electricity on the breasts or nipples is highly debated due to the risk of cardiac arrest and other complications. At least one autoerotic fatality resulting from electrocution has been documented involving current travelling from nipple to nipple.2 If electricity is used, only devices designed for use on human flesh should be used, and current should not be allowed to travel from one breast or nipple to the other. Regardless of the cardiac risk, care should be used to avoid burning any time electricity play is attempted. Piercing – temporary, play piercing involves the use of acupuncture and/or hypodermic needles, or other atypical piercing devices; or permanent piercing such as nipple bars or nipple rings. More extreme and dangerous piercings are metal skewers and suspension hooks through one or both breasts or nipples. Suspension - While there are many references to women being hanged with their body weight supported only by their breasts, there is concern that it can result in damage ranging from stretch marks to internal rupturing and tearing.[citation needed] Wax – Wax play involves hot wax being dripped or poured on the breasts and nipples, frequently after they have been chilled with ice. Hot wax, though considered one of the safer methods of breast torture, is not without risk. First degree burns happen. Hotter waxes risk second degree burns. Edible sauces should be no hotter than 120 degrees 49 degrees Celsius. Flames, or the use of heated devices such as curling irons increase the level of caution that should be exercised. Though it would take almost a deliberate act to cause third degree burns, lesser burns can happen quickly. Cigarettes are often considered in erotic tit torture, however, snuffing a hot ember out on flesh is dangerous, often resulting in second degree burns and scarring.

Acting casting

Acting casting can be confusing for many people, especially for new actors. To get more information on the subject, go to casting to get the necessary information. Acting casting for actors involves a few things. First, an actor has to submit a headshot or resume by either electronic submission or via mail. Once the photo and resume are received, the casting director will call the actor in for an audition based on the needs of the production. Many times an actor is called in simply because of the type he or she is; the amount of experience an actor has is not always the main factor. After the audition, if the actor is right for the part, he or she will be notified with more detail regarding the production. Acting casting is the process in which performers are chosen to appear in a film, television or theatre production.

In New York, actors have several choices to choose from when it comes to acting schools. Because an actors' training is so important, great care should be taken when deciding where to study. For more information on schools in New York, visit New York schools. Most acting schools in New York, depending on the discipline, will cover beginning as well as advanced classes. Many schools will also hold classes throughout the day and night to accommodate the various schedules of its students. Prior to attending any school, actors sometimes audit certain classes (if the school offers this option) to see if they would benefit from the training.